Even paying audiences would sometimes be punished with bizarre sets of slow-tempoed country covers or sloppy-drunk sets. Through the ’80s, there seemed to be hardly a reporter or radio DJ they didn’t blow off or insult, a booker or promoter they didn’t piss off for lackluster shows or trashing hotel and hospitality rooms, or a record-company exec they didn’t get on the bad side of with their boorish, angry or obnoxious behavior, including onstage brawls and incitement to riot. Their third show, a showcase for record label reps, was also botched on purpose with extreme indifference by the band. Their second gig was similarly unfinished after such a negative and threatening audience reaction. They were kicked out of their very first gig at a sober house for teens (under original name “The Impediments”) for drinking in the parking lot between sets. Perhaps no band bio has been so aptly named – even though the title actually comes from a Dave Edmunds and Rockpile song that the Replacements admired.ĭespite an impressive body of work that has made rock critics, college-radio programmers and indie music lovers swoon and praise them to high heaven as alt-rock/post-punk messiahs, the Replacements were usually their own worst enemies, gleefully sabotaging their own career.Ĭonsider this. Trouble Boys: The True Story of the Replacements
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May 2023
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